I have a bone to pick with Hollywood. First off, I love action movies; give me blood spatter and explosions any day of the week and I’ll have fun. Now, this does not necessarily mean that I’ll think anything with such effects is a masterpiece, but it will be enjoyable.
Generally.
However, the assumption that modern writers, producers, and directors make that the public only wants these and no substantial story is… well, come to think of it, probably about dead-on for a large portion of moviegoers (huh… that’s actually a word without hyphens). I get somewhat annoyed by my only choice being girly emotional junk and shallow, pointless fighting.
Yet even that isn’t what’s been bugging me lately. I can live with new stuff being fun crap, so long as I can still find an occasional great story–be it in older (pre-’95 or so) Hollywood ventures, or books or the rare good piece of work by a modern director (they do exist, though the creator’s works often tend to decline within, perhaps, a decade of his hard-earned fame). No, my anger is directed towards reworkings of the truly great stories (not to mention the fact that probably over 80% of new movies are based on someone else’s idea for which copyright has run out). I’m thinking of three particular movies at the moment–and please refrain from reminding me of more–that took the title and basic idea of something great, added CGI, and called the new one genius.
The Time Machine (2002)
Touche, H.G. Wells’s great-grandson. Touche. Now I feel bad about dissing the movie. Now, that won’t completely stop me on the internet, but know that I feel guilty for it. So, this was on TV a few weeks ago, and I watched it–partly because nothing else was on, partly out of curiosity, and partly because I was waiting for Jeremy Irons to finally show up (Shush. Creepy-voiced actors rock). I’ve since been reading the actual book, since I knew the movie was far from strict in its following of the plot. I’m not quite finished (on chapter 7/12), but it was obvious from the first chapter that the deviation was great.
So the point of this movie: you can’t change the past. Well, that’s very nice, but it doesn’t really matter, as no human has ever built or is anywhere near building any form of time machine. The point of the book (and the old movie)? Well, as with everything from about 1880-1980, it was all an allegory for communism. Certainly, I can understand how that can’t be translated into modern thought. The general populace doesn’t care about communism, and would never see a movie about it. But do you have to try to twist and mutilate the story for a modern audience? Every piece of art is a product of its time, can’t you people just leave it where it belongs. If someone’s interested, they’ll enjoy and appreciate it much more than the bunch of idiots seeing it for special effects.
The thing is, it would’ve been pretty enjoyable in its own right.
The Day the Earth Stood Still (2008)
Ditto. Just leave the communism allegories alone; don’t ruin the story for the people who actually give a damn. Seriously, I’m not even seeing this one.
Star Trek (2009)
Probably won’t see this one either, but I’m torn. See, on the one hand, it looks exciting (to say the least), and I tend to like Simon Pegg, Winona Ryder, John Cho, Zoe Saldana, Alias, and… well, apparently Epic Nerd God Leonard Nimoy is in there, too. But it just doesn’t seem right. I can’t trust it to be the same Star Trek that I’ve been watching on cbs.com (and heck, even that doesn’t have all of the really great episodes).
Honestly, I think they’re trying to trick us. They’re hiring the best most famous of each demographic (let’s see… black-haired guy (his eyebrows are pure evil, though. I hate them), guy with any UK accent, black woman, asian… yeah, we got ‘em all), throw in a few more utterly random celebrities, make it look really, really cool, slap on a treasured and sacred title, and hope for the best. I’m sorry, but Admiral Ackbar keeps yelling at me.
Ah, well… at least these do one good thing: convince me to finally watch/read the original so my anger can be fully justified (unfortunately, the need to completely understand references isn’t quite enough of a push on its own). Now, if you’ll excuse me, I’ve only just now been able to find The City on the Edge of Forever.